Research / Residencies
Artistic research is central to my practice, connecting questions of memory, place, materiality, and ecological processes. My work develops through fieldwork, material experimentation, printmaking, painting, and engagement with specific landscapes and their histories.
My current research focuses on plant-based colour, environmental change, difficult heritage, and the ways in which artworks can record, transform, and gradually disappear. Residencies, workshops, and international research contexts extend these investigations through encounters with local environments, artistic communities, archives, and cultural institutions.
International Mokuhanga Conference
Inter-University Student Workshops
Artistic research is central to my practice, connecting questions of memory, place, materiality, and ecological processes. My work develops through fieldwork, material experimentation, printmaking, painting, and engagement with specific landscapes and their histories.
My current research focuses on plant-based colour, environmental change, difficult heritage, and the ways in which artworks can record, transform, and gradually disappear. Residencies, workshops, and international research contexts extend these investigations through encounters with local environments, artistic communities, archives, and cultural institutions.
International Mokuhanga Conference
Inter-University Student Workshops
Artistic research is central to my practice, connecting questions of memory, place, materiality, and ecological processes. My work develops through fieldwork, material experimentation, printmaking, painting, and engagement with specific landscapes and their histories.
My current research focuses on plant-based colour, environmental change, difficult heritage, and the ways in which artworks can record, transform, and gradually disappear. Residencies, workshops, and international research contexts extend these investigations through encounters with local environments, artistic communities, archives, and cultural institutions.
International Mokuhanga Conference
Inter-University Student Workshops
Artistic research is central to my practice, connecting questions of memory, place, materiality, and ecological processes. My work develops through fieldwork, material experimentation, printmaking, painting, and engagement with specific landscapes and their histories.
My current research focuses on plant-based colour, environmental change, difficult heritage, and the ways in which artworks can record, transform, and gradually disappear. Residencies, workshops, and international research contexts extend these investigations through encounters with local environments, artistic communities, archives, and cultural institutions.
International Mokuhanga Conference
Inter-University Student Workshops
Artistic research is central to my practice, connecting questions of memory, place, materiality, and ecological processes. My work develops through fieldwork, material experimentation, printmaking, painting, and engagement with specific landscapes and their histories.
My current research focuses on plant-based colour, environmental change, difficult heritage, and the ways in which artworks can record, transform, and gradually disappear. Residencies, workshops, and international research contexts extend these investigations through encounters with local environments, artistic communities, archives, and cultural institutions.
International Mokuhanga Conference
Inter-University Student Workshops
Artistic research is central to my practice, connecting questions of memory, place, materiality, and ecological processes. My work develops through fieldwork, material experimentation, printmaking, painting, and engagement with specific landscapes and their histories.
My current research focuses on plant-based colour, environmental change, difficult heritage, and the ways in which artworks can record, transform, and gradually disappear. Residencies, workshops, and international research contexts extend these investigations through encounters with local environments, artistic communities, archives, and cultural institutions.
International Mokuhanga Conference
Inter-University Student Workshops
Artistic research is central to my practice, connecting questions of memory, place, materiality, and ecological processes. My work develops through fieldwork, material experimentation, printmaking, painting, and engagement with specific landscapes and their histories.
My current research focuses on plant-based colour, environmental change, difficult heritage, and the ways in which artworks can record, transform, and gradually disappear. Residencies, workshops, and international research contexts extend these investigations through encounters with local environments, artistic communities, archives, and cultural institutions.
International Mokuhanga Conference
Inter-University Student Workshops
Artistic research is central to my practice, connecting questions of memory, place, materiality, and ecological processes. My work develops through fieldwork, material experimentation, printmaking, painting, and engagement with specific landscapes and their histories.
My current research focuses on plant-based colour, environmental change, difficult heritage, and the ways in which artworks can record, transform, and gradually disappear. Residencies, workshops, and international research contexts extend these investigations through encounters with local environments, artistic communities, archives, and cultural institutions.
International Mokuhanga Conference
Inter-University Student Workshops
Artistic research is central to my practice, connecting questions of memory, place, materiality, and ecological processes. My work develops through fieldwork, material experimentation, printmaking, painting, and engagement with specific landscapes and their histories.
My current research focuses on plant-based colour, environmental change, difficult heritage, and the ways in which artworks can record, transform, and gradually disappear. Residencies, workshops, and international research contexts extend these investigations through encounters with local environments, artistic communities, archives, and cultural institutions.
International Mokuhanga Conference